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Saturday, January 29, 2011

Film: Teen pregnancy documentary project


Pro Creativity Film Premier
Teen parents showcase 
their stories
As part of Out North's education program, a dozen local teen parents worked with film professionals 
to learn story craft and 
film production to make short autobiographical films.

Come see their films, meet the filmmakers, celebrate their success, and learn about the 
Pro Creativity project.

Refreshments provided.

7pm Saturday January 29, 2011
Admission is FREE, families welcome
This event encourages and supports Out North's Education Program

Moore Up North Episode 220 - ACLU - Domestic Violence - Polar Bears

Moore Up North Episode 220 - ACLU - Domestic Violence - Polar Bears 



INTERVIEW

Jeff Mittman is the Executive Director of the ACLU in Alaska which just
celebrated 40 years in The Greatland.

PANEL

Tom Brennan is the author of the "The Snowflake Rebellion" and regular
columnist for the Anchorage Daily Planet.

Jill Burke was a former anchor and reporter at KTUU Channel 2, and is
currently a staff writer at AlaskaDispatch.com.

Scott Schofield is an author, award-winning performance artist and the new
Executive Artistic Director at Out North Contemporary Art House.

'via Blog this'

Saturday, January 22, 2011

ACLU award


Notes from the Drawing Board
Scott Schofield, Executive Artistic Director

Out North Honored by AK ACLU as 1 of 40 Heroes of Constitutional Rights

Last Saturday, January 22nd, I felt incredible gratitude and an overwhelming sense of pride to attend the 40th Anniversary Liberty Awards of Alaska's chapter of the ACLU.

Walking past the frighteningly uncivil and factually incorrect truth truck from fanatical anti-choice pundits (whose use of the Freedom of Speech gave me a taste of the discomfort many say they have felt about Out North's work), I was welcomed into the Dena'ina Center by a sparkling list individuals who have made Alaska - and indeed, the United States - a free, civil and excellent place to live. A place where speech and privacy are protected in the Constitution. A place where thousands have struck out to do something new and different to make their life, and the lives of many, better and more truly free.

Standing on the stage to receive an award on behalf of Out North, to say I felt proud would be the understatement of the century. Shoulder to shoulder with people who have not gone quietly when people in power told them to hush, who have not silently accepted censorship or other abuses of the rights which are inalienable to every American - suffice it to say I felt schooled in the importance of what it is we do at Out North.

At Out North we don't sit silent in the face of injustice, we make art to shine and shout about it. At Out North we speak out when those with power abuse those without: through film, live performance, visual art, and making our space available to community groups for meetings and events. We will never pick an easy subject just because it might sell more tickets. And we will never be censored: not by funding pulls, not by protests, and especially not by the chilling effect that such acts have wrought on too many art spaces around the country.

I can only say that, by the way, because of you: our community that has stepped up in the face of our 9th funding cut in 25 years to say out loud that you want Out North here. And because of the ACLU, who has 40 years of shining success at making sure that I can say never with confidence.

Furthermore, I can only say all of this because of the work of our founders, Jay and Gene Dugan-Brause, and the many brave and passionate individuals who have served on Out North's Board of Directors throughout the years. I can only say this becase of you, our audience community. Read here a deep bow in respect for the bravery, the longsighted vision, and the commitment to the arts that every one of you have demonstrated.
For as much as all of this is truly meaningful, let's remember how much fun practicing and protecting the First Amendment can be! THIS is why [we] rock.

- Scott Turner Schofield

Friday, January 21, 2011

Visual Art: Photographer Dirk Spenneman


Third Friday Opening 1/21 5-7pm
Saturday 1/29: Community Gathering to Engage Homelessness in Anchorage
Dying on the Streets: A Photoessay of Homeless Deaths in Anchorage, 2010
by 
Dr. Dirk HR Spenneman


In total nineteen homeless men and women died on the streets of Anchorage in the twelve month period between 7 May 2009 and 18 April 2010. On the evening news, these deaths are reduced to momentary glimpses in a flickering modern visual universe. Even when we encounter the homeless personally, as we go about our daily lives, we mostly do so from the safe haven of our cars, the wound-up windows safely shutting out the real world. The images in the exhibition are the stark and unembellished reality: death is stalking the lonely on cold streets.

Visitors to the gallery are asked to please bring lightly-used warm clothing and/or non-perishable foods.
Out North seeks volunteers for a sandwich and chilli making party on Friday, 1/28 from 5-7pm. We will be preparing food for the event on Saturday 1/29 from 1-3pm. Please call Riley at 289.8099 ext 206 with your interest in helping.

Wednesday, January 12, 2011

"Under :30" 2011

image by Craig Updegrove

Four spaces

“Under :30” represents a time limit, an opportunity, a shot at front and center.
The program works like this: Folks submit proposals around March, and Out North selects four to develop from page to stage in just under a year. The creator does the heavy lifting to transform idea to manuscript, and Out North provides technical and production resources to transform the manuscript into performance.
Some of this town’s most refreshing monologues, travelogues, comedy routines and real life stories have emerged from this program, many by people who are not performers.
This year’s cast includes UAA professor and poet Olga Livshin ushering the audience through her Russian immigrant experience; artist and docent Linda Lucky sharing her journey as the caretaker of a friend experiencing Alzheimer’s; consultant and wilderness guide Ellen Maling exploring life and job transitions and decisions; and public health consultant and comedian Duff Pfanner wondering if being vertically challenged is an inferior trait.
Out North’s executive and artistic director Scott Schofield selected this year’s four pieces. “I didn't so much choose these works as react to how clearly they fit together,” he says. “Each explores ‘space’ in its own way: the split space of an immigrant's memory and present; negotiating the spaces of life and work; taking up space with physical size; and then the space of a long journey through memory and eventually death, which took place in the day room of an Alzheimer's facility.”
He considers the program as remarkable as any in the nation in terms of longevity (this is the 17th annual performance) and appeal. Year after year, Alaskans use autobiographical material to create poignant, mind-blowing, silly, absurd, titillating, eye-opening, you-name-it performances about everything from cycling and family roots to conspiracy theories and the secret lives of art instructors.
This year’s show will be performed four times instead of eight to save on production costs. Over the last few years, the first and last shows have sold out while the other six shows didn’t, says Schofield, a major funding cut earlier this year just doesn’t allow Out North to absorb the overhead costs.
“So we hope that Anchorage will pack out the four shows to make a stellar experience for the artists and help Out North get back on our feet financially,” says Schofield.
Cutting down the number of performances also precludes me from doing a review before the show ends, but I can give you a run-down on a few pieces, including Maling’s light-hearted look at tough decisions.
“It’s basically about me trying to figure out what I’m going to do with the next stage of my life,” she says, “and about reconciling different forces in life.”
Her one-woman show includes a song, monologue and interplay with the audience, and pits her drive for working in developing countries against the reality of managing her diabetes. The piece touches on the economic downturn, and the struggles and debates concerning medical insurance, but it mostly centers on the decision-making process.
How do we weigh our dreams and passions against physical and financial health? What obligations tie us to our communities? When should we risk what we know to find what we’ve yet to imagine?
And what do these considerations mean to a wanderer who used work as a river guide, who has maturity but no ties, who has felt the sting of loss and now feels the pull of freedom despite her dependence on medical systems?
Call it nonfiction-theater, if you will, or good old-fashioned storytelling with some slides for good measure, but this and the other three pieces all touch on extremely personal experiences.
“For audiences, it’s ‘reality TV, minus the TV,’” says Schofield. “That is to say, honest, thoughtful, inviting—scandalizing sometimes, too.”
No, these performers won’t do inane, stupid, outrageous things just for the laughs and hype, but they will reveal parts of themselves. Pfanner’s piece about being vertically challenged doesn’t wallow in short jokes as much as unearth a human story and relationship.
After seeing about ten “Under :30” performance over the years, Pfanner finally decided to submit a proposal because “I felt like I had discovered a personal truth about myself as it relates to growing up short and being short, “ he says, “and I felt like I had some life experiences to share about how being short had impacted my life in particular as related to my daughter.”
Though he has done stand-up comedy before, Pfanner has never prepared for or performed a more theatrical piece.
“There’s so much more than you realize,” he says. “When you see a stage production, you know the actors and actresses have spent a lot of time with their lines, but doing this has given me a better sense of the backstage effort—the artistic direction, the lighting, the nuances of voice and connotation, the different ways of looking at the same word.”
Schofield has proved invaluable to the process for Pfanner and others; though he has mastered things like nuance and enunciation, Schofield feels awe each time he sees an “Under :30” performance unfold.
“’Under :30’” is the place to see what too much theater has forgotten,” he says. “That humans make stories and that they are delightful and fascinating and moving in their rawest form.”
AN OUT NORTH FUNDING UPDATE
A national funder pulled $80,000 from Out North because of the theater’s programming, which included films with lesbian characters and a production of “Reefer Madness.” Out North set two goals after the funding cut. They topped the first one—$40,000 by New Year’s Day—with $46,000 by the end of 2010. They hope to raise another $36,000 by Valentine’s Day.
Schofield says, “What's amazing is that a huge proportion of the donations are in increments of less than $250, and the majority of those are coming in at less than $75. Those who can are giving big, and it seems everyone is giving what they can. We are humbled and empowered by this incredible support.”
Under :30 will be performed at 8 p.m. Thursday, Friday and Saturday, Jan. 13 through 15, and 3 p.m. Sunday, January 16, at Out North. Tickets cost $20 at the door, $16.75 on CenterTix.net, and $13 for seniors, students and military members with ID.